Third, how I put my ass on the line and how we sought the song beneath the song

Past the arched doors we found ourselves in a vaulted hall, lit once more by pale scarlet fires that drifted in the air like puffs of smoke. For a moment I thought we stood in an armory, then I saw the jagged holes and torn plates in every piece displayed, tier on tier and rank on rank, nearly to the ceiling. Broken blades and shattered spears, shields torn like parchment sheets, mail shirts pierced and burnt and fouled with unknown substances—here were the fates of all our predecessors memorialized, obviously. The dragon’s boast.

“Perhaps a part-truth,” responded Mikah, when I said as much. “Surely all dragons are braggarts after a fashion. But consider how this one seems determined to play fair with its challengers. The ascent up the mountain, with its gradual reduction of ease. The guardians at the door, willing to forgive and forget. Now this museum show for the fainthearted. At every step our host invites the insufficiently motivated to quit before they waste more of anyone’s time.”

Proud to be numbered among the sufficiently motivated, no doubt, I followed my companions through the dragon’s collection, uneasily noting its quality. Here were polished Sulagar steel breastplates and black Harazi swords of the ten thousand folds. Here were gem-studded pauldrons of ageless elven silver, and gauntlets of sky iron that glowed faintly with sorcery, and all of these things had clearly been as useful as an underwater fart against the fates that had overtaken their wielders. At the far end of the hall lay another pair of great arched doors, and nested into one like a passage for pets was a door more suited to those of us not born as dragons. On this door lay a sigil that I knew too well, and I seized Brandgar by his cloak before he could touch it.

“That is the seal of Melodia Marus, the High Trapwright of Sendaria,” said I, “and I’ve had several professional disagreements with her. Or, more precisely, the mechanisms she devises for the vaults and offices of her clients.”

“I know her work by reputation,” said Mikah. “It seems Glimraug is one of those clients.”

“She’s the reason I once spent three months unconscious in Korrister.” I twitch at the memory, friends, but not all of one’s ventures can end in good fortune, as we have seen. “And six weeks in a donjon in Port Raugen. And why I only have eight toes.”

“Another fair warning,” said Gudrun. “A frightful spectacle for all comers, then a more specific omen for those professionally inclined to thievery.”

“We have two master burglars to test our way,” said Brandgar, who seemed more cheerful with every danger and warning of greater danger. “And if this woman’s creations were perfect, surely she’d have more than two of Crale’s toes by now.”

The craft of trap-finding is much sweat and tedium, with only the occasional thrill of accident or narrow escape, and we spent the next hour absorbed in its practice. All the stairs and corridors in that part of the dragon’s domain were richly threaded with death. Some halls were sized to us and some to the transit of larger things, and these networks of passages were neither wholly parallel nor entirely separate. This was no citadel made for any sensible court, but only a playing field for Glimraug’s game, a stone simulacrum of what we would call a true fortress. Up we went floor by floor, past apertures in the walls that spat razor-keen darts, over false floors that gave way to mangling engines, through cleverly weighted doors that sprang open with crushing force or sealed themselves behind us, barring retreat from some new devilment.

In one particularly narrow hall both Mikah and I had a rare bout of all-consuming nincompoopery, and one of us tripped a plate that caused iron shutters to slam down before and behind us, sealing our quartet in a span of corridor little bigger than a rich merchant’s water closet. An aperture on the right-hand wall began to spew a haze at us, the stinging sulfur reek of which was familiar to me from a job I’d once pulled in the mines of Belphoria.

“Dragon’s breath,” said Brandgar.

“More like the mountain’s breath,” I cried, and with a creditable leap I braced myself like a bridge across the narrow space and jammed my own posterior firmly into the aperture. The thin cloud of foulness that had seeped into the hall made my eyes water, but was not yet enough to cause us real harm. Though once a few minutes passed and I could no longer maintain such an acrobatic posture, my well-placed buttocks would no longer avail us. “It’s what miners call the stink-damp, and it will dispatch us with unsporting speed if I can’t hold the seal, so please conjure an exit.”

“Fairly done, Crale!” Brandgar waved a hand before his face and coughed. “To save us, you’ve matched breach to breeches!”

“All men have cracks in their asses,” said Gudrun, “but only the boldest puts his ass in a crack.”

“Henceforth Crale the Cracksman will be celebrated as Crale the Corksman,” said Mikah.

I said many unkind things then, and they continued making grotesque puns which I shall not torture any living soul with, for apparently to ward off a stream of poisonous vapor with one’s own ass is to summon a powerful muse of low comedy. Eventually, moving with what I considered an unseemly attitude of leisure, Mikah tried and failed to find any mechanism they might manipulate. Then even the strength of Brandgar’s shoulder failed against the iron shutters, and our salvation fell to Gudrun, who broke a rune-etched bone across her knee and summoned what she called a spirit of rust.

“I had hoped to reserve it for some grander necessity,” said she. “Though I suppose this is a death eminently worth declining.”

In a few moments the spirit accomplished its task, and the sturdy iron shutters on either side were reduced to scatterings of flaked brown dust on the floor. I unbraced with shudders of relief in every part of my frame, and we hurried on our way, kicking up whorls of rust in our wake to mingle with the lethal haze of the broken trap. We moved warily at first, then with more confidence, for it seemed that we had at last cleared that span of the mountain in which Melodia Marus had expressed her creativity. I do hope that woman died in a terrible accident, or at least lost some toes.

The red lights the dragon had graciously provided before were not to be found here, however, so we climbed through the darkness by the silver gleam of Gudrun’s sorcery on our naked weapons. Eventually we could find no more doors or stairs, and so with painful contortions and much use of Mikah’s ropes we ventured up a rock chimney. I prayed for the duration of the ascent that we had discovered nothing so mundane as the dragon’s privy shaft.

Eventually we emerged into a cold-aired cavern with a floor of smooth black tiles. Scarlet light kindled upon a far wall, and formed letters in Kandric script (which I had learned to read as a boy, and which the Ajja had long adopted as their preference for matters of trade and accounting), spelling out the Helfalkyn Wormsong.

“As if we might have forgotten it,” muttered Mikah. At that instant, a burst of orange fire erupted from the rock chimney we had ascended and burned like a terrible flickering flower twice my height, sealing off our retreat. White-hot lines spilled forth from the ragged crest of this flame, like melted iron from a crucible, and this burning substance swiftly took the aspect of four vaguely human shapes, lean and graceful as dancers. Dance they did, whirling slowly at first but with ever-increasing speed, and toward us they came, gradually. Inexorably.

Seek the song beneath the song, ” rang a voice that touched my heart, a voice that echoed softly around the chamber, a voice blended of every fine thing, neither man’s nor woman’s but something preternaturally beautiful. To hear it once was to regret all the years of life one had spent not hearing it. Even now, merely telling of it, I can feel warmth at the corners of my eyes, and I am not ashamed. The four fire-dancers glided and spun, singing with voices that started as mere entrancement and became more painfully beautiful with every verse.

“The fall of dice in gambling den

 

The sporting bets of honest men

 

Will bring them round again, again

 

To their fairest friend, distraction…”

 

It was not the words that were beautiful, for as I recite them here I see none of you crying or falling over. But the voices, the voices! Every hair on my neck stood as though a winter wind had caught me, and I felt the sorcery, sure as I could feel the stones beneath my feet. There was a compulsion weighing on us. The voices drew us on, all of us, cow-eyed, yearning to embrace the gorgeous burning shapes that called with such piercing loveliness. And that was the horror of it, friends, for I knew with some small part of my mind that if I touched one of those things, my skin would go like candle wax in a bonfire. Still, I couldn’t help myself. None of us could. With every moment they sang, the pull of the fire-dancers grew, and our resolve withered.

“When beauties into mirrors gaze

 

Nor look aside for all their days

 

Until they lose all chance for praise

 

They wake too late from distraction…”

 

I groaned and forced myself backwards, step by step, though it felt like hooks had been set in my heart and it was ten hells to pull against them. I saw Mikah, reeling dizzily, seize Brandgar by the collar.

“Forgive me, lord!” Mikah cuffed their king hard, first across one cheek then the other. Terrible fury flared for an instant beneath Brandgar’s countenance, then he seemed to remember himself. He clutched at his King-Shadow like a man being pulled away from a pier by a riptide.

“Gudrun,” yelled Brandgar, “give us strength against this sorcery, or we are all about to consummate very painful love affairs!”

Our sorceress, too, had steeled her will. She swung the strange drums from her back, gasping as though she’d just run a great distance, and began to beat a weak, hesitant counter rhythm in the casual Ajja style:

“Heart be stone and eyes be clear

 

Gudrun sees the puppeteer—

 

Fire sings eights, Gudrun sevens

 

This spell your power leavens…”

 

I felt the rhythm of Gudrun’s drumming like the hoofbeats of cavalry horses, rushing closer to bring aid, and for a moment it seemed the terrible lure of the fire-dancers was fading. Then they spun faster, and glowed fiercely white, and ribbons of smoke curled from their feet as they pirouetted across the tiles. Their voices rose, more lovely than ever, and I choked back a sob, balanced on the edge of madness. Why wasn’t I embracing them? What sort of damned fool wouldn’t want to hurl himself into that fire?

“The fly with hateful flit and bite

 

The swordsman’s feint that wins the fight

 

The thief enshrouded in the night

 

The world’s true king is distraction…”

 

Mikah knelt and punched the tiles, hard, screaming as their knuckles turned red. “I can’t think,” they cried, “I can’t think—what’s the song beneath the song?”

“The lasting truths poets compose

 

The lowly tavern juggling shows

 

Friends over card games come to blows

 

You’re chained like dogs to distraction…”

 

“Fire!” bellowed Brandgar, who was stumbling with the eerie movements of a sleepwalker toward his destined fire-dancer, which was a scant few yards away. “Fire is beneath the song! No, stone! Stone is below the dancers! No, the mountain! The mountain is below us all! Gudrun!”

None of Brandgar’s guesses loosened the coils of desire that crushed my chest and my loins and my mind. Gudrun shifted tempo again, and beat desperately at her drums in the stave rhythm of formal Ajja skaldry:

“Now to sixes singing,

 

Ajja Gudrun knows well:

 

Hellfire dancer’s contest

 

Can be met with no spell.

 

Grimly laughs the king-worm,

 

Mortal toys must burn soon;

 

Fly now spear of Wave-King,

 

Breaking stones before ruin!”

 

With that, Gudrun fixed herself like a slinger on a battlefield and pitched her rune-stitched drums straight at Brandgar’s head. Their impact, or the repeated shock of such treatment at the hands of his companions, brought him round to himself one final, crucial time.

“The wall,” shouted Gudrun, falling to her knees. “The song of distraction is the distraction! The song beneath the song…is beneath the song on the wall!”

Heat stabbed the unprotected skin of my face like a thousand darting needles. Smoke curled now from the sleeves and lapels of my jacket; I breathed the scent of my own burning as my fire-dancer leaned in, looming above me at arm’s reach, and I had never known anything more beautiful, and I had never ached for anything more powerfully, and I knew that I was dead.

In the corner of my vision, I glimpsed Brandgar steady on his feet, and with the most desperate rage I ever saw, he charged howling past his grasping fire-dancer and drove the point of Cold-Thorn into the center of the Helfalkyn Wormsong that glowed upon the chamber wall. Rock and dust exploded past him, and revealed there beneath the fall of shattered stone were lines of words glowing coldly blue. Quickly, clumsily, but with true feeling Brandgar sang:

“From the death here, all be turning

 

Still the song, forsake the burning

 

Chance at mountaintop our earning

 

Though golden gain is distraction!”

 

Instantly the blazing heat roiling the air before my face vanished; the deadly whites and oranges of the fire-dancers became the cool blue of the new song on the wall. An easement washed over me, as though I had plunged my whole body into a cold, clear river. I fell over, exhausted, groaning with pleasure and disbelief at being alive, and I was not alone. We all lay there gasping like idiots for some time, chests heaving like the near drowned, laughing and sobbing to ourselves as we came to terms with our memories of the fire-song’s seduction. The memory did not fade, and has not faded, and to be free of it will be both a wonder and a sorrow until the day I die.

“Well sung, son of Erika and Orthild,” said one of the gentled fire-dancers in a voice nothing like that which had nearly conquered us with delight. “Well played, daughter of the sky. The gift you leave us is an honor. Your diminishment is an honor.”

The blue shapes faded into thin air, leaving only the orange pillar of fire which still poured from the rock chimney; it seemed our host was done with offering chances to escape. Then I saw that Brandgar was on his feet, staring motionless at a pair of objects, one held in each hand.

The two halves of the broken spear Cold-Thorn.

“Oh, my king,” sighed Gudrun, wincing as she stood and retrieved her drums. “Forgive me.”

Brandgar stared down at his sundered weapon without answering for some time, then sighed. “There is nothing to forgive, sorceress. My guesses were all bad, and your answer was true.”

Slowly, reverently, he set the two parts of Cold-Thorn on the floor.

“Nine-and-twenty years, and it has never failed me. I lay it here as a brother on a battlefield. I give it to the stories to come.”

Then he hefted his second spear over his shoulder, though he still refused to unbind the leather from its point, and his old grin appeared like an actor taking a curtain call.

“Bide no more; the night is not forever, and we must climb. With every step, I more desire conversation with the dragon. Come!”


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