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1. Michelangelo

 

Michelangelo, thefamousItaliansculptor, livedinFlorence. OnceabeautifulpieceofwhitemarblewasbroughttoFlorence, andthegovernorofthecitytoldMichelangelothathewantedhimtomakeastatueoutofthemarble. HesaidthatMichelangelowastheonlymaninItalywhocoulddoit.

Thesculptorworkedfortwoyearstomakethestatueasbeautifulaspossible. Whenthestatuewasready, alotofpeoplegatheredinthesquarewhereitstood. Everybodywaswaitingforthegovernor. Atlasthecame, accompaniedbytherichestpeopleofthecity. Thegovernorlookedpleased, andseeingtheexpressiononhisfacethepeoplethoughtthathelikedthestatue. Sotheywereallsurprisedtohearhimsaythathedidn'tlikethesculptor'sworkatallbecausethestatue'snosewastoolong.

"Canyoumakethenoseshorter?' thegovernoraskedMichelangelo.

Thosewhoheardthequestionexpectedthesculptortogetangry, buttotheirgreatsurpriseMichelangeloansweredcalmlythathedidn'tmindchangingtheshapeofthenose.

Whenthegovernorwasnotlooking, hepickedupahandfulofmarbledustandwentuptothestatue. Hepretendedtoworkhard. Standingwithhisbacktothegovernor, hedroppedthemarbledusthehadpickeduplittlebylittletomakethegovernorbelievethathewasreallychangingtheshapeofthenose. Thegovernorthoughtthatthesculptorwasdoingashehadbeentold, andsowhenMichelangelofinishedworking, hesaidproudly, "Nowthestatueiswonderful."

Thepeople, whohadkeptsilentwhilethesculptorwasworking, realizednowthathehadn'tdoneanythingtothestatue, andshoutedwithjoy.

Thestatue, whichiscalledDavid, isoneofMichelangelo'sbestworks. WehaveacopyofitinthePushkinMuseuminMoscow.

 

2. Pop, JazzandCountry

 

OfalltheculturalinfluencesthathavecomeoutoftheUnitedStatesinthe 20thcentury, it'slikelythatnonehasbeensofar-reachingaspopularmusic.

Butthesoundofjazzandrockandrollandmorerecently, countrymusic, canbeheardonrecords, tapes, radioandtelevisioninthebigcitiesandinthemostremotevillagesofalmosteverynationonEarth.

What, precisely, ispopularmusic? IntheUnitedStatesthistermhasacquiredavarietyofmeaningsbutitreferstothekindsofmusicenjoyedbyabroadpublicandstandsincontrasttotheclassicalmusicoftheWesternEuropeantradition.

Duringthepresentcentury, thedominantstrainofpopularmusiccoexistedwithregionalpocketsoffolkmusickeptalivebythenation'smanyimmigrantgroups — Scots, Irish, German, FrenchCanadians, Italians, Jews, Poles, His-panics. Sincepopularsongwritershavealwayslookedforfreshapproaches, eachoftheseethnicmusicwouldeventuallycontributeitsflavourtotherichstewofcontemporaryAmericanmusic.

Asthe 20thcenturyprogressed, thelinebetweenpopularandseriousmusicbecameblurred. GeorgeGershwin, forexample, wasapopularcomposerwhosemusichasalwaysbeenadmittedincultivatedcircles.

Jazzhasalwaysbeenamusicoffreedom, andmaybethatiswhyit'sbeencalledthemosttrulyAmericanartform. Thesenseoffreedomisinherentinitsimprovising, inthewayeachmusiciandefineshimselfinhisownturn, inthefeelingthatthepossibilitiesarelimitless.

Intermsofitsfountainhead, jazzremainsthecreationoftheblackAmerican, buttodaymorethanevertherapidspreadofcommunicationshasestablisheditasaworld-wideartform, onethatwillbecharacterizedbyfuturegenerationsasthegenuineclassicalmusicofthe 20thcentury.

ThegrowinginternationalenthusiasmforAmericancountrymusicoverseasisanextensionofwhathashappenedintheUSsince 1950s: musicthatwasstrictlyregionalinitsappealhasgainedcurrencyacrossthenation.

ItwascreatedbytheruralpeopleoftheAppalachianMountainregionwhowerebylargeisolatedfromtheindustrialgrowthandurbanizationofmuchofAmerica. TheybeganwiththeEnglishandScottishballadsoftheirimmigrantancestorsandbuiltuponthem, oftenwithinstrumentstheymadethemselves. Theysangaboutthethingsthattouchedthemmostintimately: theirpoverty, theirGod, theircrops, theirfamilies. TheyfoundconsolationandcommontiesInthemusic.

Theclassicrock 'n' rollofthe 1950swithitshard-drivingguitarbeat, themusicofElvisPresley, ChuckBerryandothers, haslongsinceevolvedintoaprofusionofstyles.

Today, forexample, amongthemusic'smyriadsubgenresaretheblackvariants, soulmusic, heavymetalanditsopposite, softrock, countryrock, folkrockandrockabilly; theCaribbeaninfluences, andthemostrecentattemptstorecapturerock'srhythmicpower, rapmusicandartrock.

ContemporaryAmericanpop-rockmusiccanbeshapedintohighartforwhichthereisalargeandappreciativeaudience.

 

3. Thecreativeimpulse (byW. S. Maugham)

 

WilliamSomersetMaughamwasbornin 1874 AftergraduatingfromHeidelbergUniversityheworkedatahospital, butthesuccessofhisfirstnovel "LizaofLambeth" (1897) encouragedhimtogiveupmedicineandbecomeaprofessionalwriter.

SomersetMaughamistheauthorofseveralwell-knownnovelsandplays, andalotofshortstories.

Hediedin 1966 attheageofninety-two.

 

WhenMrsForrester'sfirstdetectivestory "TheAchillesStatue" waspublished, shehadreachedtherespectableageoffifty-seven, andthenumberofherwork^ wasconsiderable. Hergreattalent, however, remainedundiscoveredbyordinaryreadersandthiswasthereason (herbooksdidnotsell, thoughtheywerehighlypraisedbythecritics.

MrsForresterwasdeeplyinterestedinpoliticsandeventhoughtofgoingintoParliament. Heronlydifficultywasthatshedidnotknowwhichpartytochoose.

AlotofpeopleverymuchwantedtobeinvitedtothepartiesshegaveeverySaturday, butonlya, fewwereamongherguests.

TheonlypersonwhospoiledthesepartieswasMrAlbertForrester, herhusband. Allherfriendsconsideredhimaboreandoftenaskedoneanotherhowshehadevermarriedhim. HewasknownamongthemasthePhilatelistbecauseayoungwriterhajjoncesaidthathewascollectingstamps.

Albert, Ishouldexplain, wasanordinarybusinessmanandnotaveryrichone. Thesuitsheworealwayslookedshabby, theexpressiononhisfacewasgloomyandheneversaidanythingworthlisteningto. MrsForrester, however, waskindtohimandalwaysknewhowtoputtoshameanyonewhotriedtomakefunofhiminherpresence.

TheeventthathadsuchagreatinfluenceonMrsFor-rester'sliteraryactivitieshappenedtowardstheendofoneofhermostsuccessfulparties. TheguestssatinacircleofwhichMrsForresterwasthecentre. Shewastalkingandtherestofthecompanywerelisteningwithgreatattention, onlyinterruptingherfromtimetotimetoaskaquestion. Suddenlytherecameanoiseasifsomethingheavyhadfallen, andthencamethesoundofvoices.

"Well, Carter, whatisit?" MrsForresteraskedthemaid. "Isthehousefallingdown?"

"It'sthenewcook'sbox, ma'am," answeredthemaid. "Theporterdroppeditashewasbringingitinandthecookgotallupsetaboutit."

"Whatdoyoumeanby 'thenewcook'?"

"MrsBullfinchwentawaythisafternoon, ma'am," saidthemaid.

"DoesMrForresterknowaboutit?" MrsForresterasked, formatterslikethatwerehisresponsibility. "ThemomentMrForrestercomesin, tellhimthatIwanttospeaktohim."

"MrForrester'sgone, ma'am," answeredthemaid. "HesaidIwastogiveyouthisletterwhenyouaskedforhim."

Themaidlefttheroom, andMrsForresteropenedtheletter. OneofherladyfriendstoldmethatatthesightofMrsForresterreadingthelettershethoughtthatAlbert, feelingresponsibleforthecook'sdeparture, andbeingafraidhewouldbepunished, hadthrownhimselfintheThames.

MrsForresterreadtheletterandcriedout: "Oh, howunfair! Howterrible!"

"Whatisit, MrsForrester?" askedMrSimmons, heragent. "Readit", shesaid. "Justreadit."

Theshort-sightedMrSimmonsputonhisglasses, andholdingtheletterveryclosetohiseyesreadthis: 'MyDear,MrsBullfinchneedsachangeandhasdecidedtoleave, andasIdonotwishtostayonwithoutherI'mgoing, too. IhavehadalltheliteratureIcanstandandIamsickandtiredofart. MrsBullfinchdoesnotcareaboutmarriagebutifyouwishtodivorceme, she'swillingtomarryme.

I'vehiredanewcookinsteadofMrsBullfinchandIhopeyouwillbepleasedwithher. MrsBullfinchandIarelivingat 411, KenningtonRoad, S. E. Albert.

ThesilencethatfollowedwasbrokenbyMrSimmons, whosaid: "Youmustgethimback."

"IwillneverseehimagainaslongasIlive!" MrsForrestercriedout. ButMrSimmonscontinuedcalmly: "I'vebeenyouragentfortwentyyears, andyoucanconsidermeoneofyourbestfriends. Butifyouthinkyoucanmakeyourlivingbywritingthesortofbooksyoudo, Imusttellyouthatyouhaven'tachance."

"ButIcan'tfightwithmycookforhim!" MrsForrestercriedout.

"Iwasjustcomingtothat," saidMrSimmonscoldly. "Adanceroraladyoftitlewouldn'tdoyouanyharm, butacookwouldfinishyou."

"He'squiteright", saidoneofherguests. "ThePhilatelistmustcomeback".

"Youwillgoandseehimtomorrow, won'tyou?" askedMrSimmons. MrsForresterdidn'tanswerforsometimeandfinallysaid:

"Formyart'ssake, notformine!"

ItwasratherlateintheafternoonofthenextdaywhenMrsForrestersetoutonherjourneytoKenningtonRoad. MrSimmonshadexplainedtoherbytelephonehowtogetthere, anditdidnottakeherlongtofindthehouseshewanted. Sherangthebell, andwhenthedooropened, sherecognizedhercook.

(to be continued)

 


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