2014-02-17
463
Garnett R., Gosse E. English literature: 4 vol. Vol. 1—2. — New York, 1935.
A literary history of England: 4 vol. / Ed. by A. A. Baugh. Vol. 1—2. — New York. 1948.
Medieval literature and folklore studies / Ed. by F. Mandel, B. A. Rosenberg. — New Brunswich, 1970.
Morley H. An attempt towards a history of English literature. Vol. 6—11. — London, 1890—1893.
Oxford history of English literature. Vol. 3. — Oxford, 1954.
Ward A. W., Waller A. R. The Cambridge history of English literature: 15 vol. Vol. 4—9. — Cambridge, 1932.
ЛИТЕРАТУРА
ВТОРОЙ ПОЛОВИНЫ XIV И XV в.
Кашкин И. А. Джеффри Чосер. — В кн.: Кашкин И. А. Для читателя современника. М., 1968, с. 227—261.
Крусман В. На заре английского гуманизма: Английские корреспонденты первых итальянских гуманистов в ближайшей своей обстановке. — Одесса, 1915.
Петрушевский Д. М. Видение Ленгленда и современная ему английская действительность. — В кн.: Ленгленд У. Видение о Петре Пахаре. М., 1941, с. 5—40.
The Age of Chaucer / Ed. by B. Ford. — Harmondsworth (Midd’x), 1976.
Aspects of Malory / Ed. by T. Takamiya, D. Brewer. — Woodbridge, 1981.
Baum P. F. Chaucer: A critical appreciation. — Durham, 1958.
Benson L. D. Malory’s Morte Darthur. — Cambridge (Mass.); London, 1976.
Brewer D. Chaucer and his world. — London, 1978.
Chambers E. K. Sir Thomas Wyatt and some collected studies. — New York, 1965.
Chaucer: The critical heritage / Ed. by D. Brewer: 2 vol. — London, 1978.
Chesterton G. K. Chaucer. — London, 1959.
|
|
|
Dodd W. G. Courtly love in Chaucer and Gower. — Gloucester (Mass.), 1959. — (Harvard Studies in English; Vol. 1).
Elbow P. Oppositions in Chaucer. — Middleton (Conn.), 1975.
Eliason N. E. The language of Chaucer’s poetry: An appraisal of the verse, style, and structure. — Copenhagen, 1972.
Erzgräber W. William Langlands «Piers Plowman». — Heidelberg, 1957.
Field P. F. C. Romance and chronicle: A study of Malory’s prose style. — London, 1971.
Fowler D. C. Piers the Plowman: Literary relations of the A. and B. texts. — Seattle, 1961.
Frank R. W. Piers Plowman and the scheme of salvation: An interpretation of Dowel, Dobet, and Dobest. — New Haven: Yale univ. press; London: Oxford univ. press, 1957.
715
Geoffrey Chaucer / Ed. by D. Brewer. — London, 1974.
Hicks E. Sir Thomas Malory: his turbulent career. — New York, 1970.
Hieatt C. B. The realism of dream visions: The poetic exploitations of the dream-experience in Chaucer and his contemporaries. — The Hague; Paris, 1967.
Interpretations of Piers Plowman / Ed. by E. Vasta. — Notre Dame; London, 1968.
Kane G. Middle English literature: A critical study of the romances, the religious lyrics, «Piers Plowman». — London, 1951.
Kellogg A. L. Chaucer, Langland, Arthur: Essays in Middle English literature. — New Brunswick, 1972.
Lawlor F. Piers Plowman: An essay in criticism. — London, 1962.
Malory’s originality: A critical study of Le Morte Darthur / Ed. by R. M. Lumiansky. — Baltimore, 1964.
Norton-Smith F. Geoffrey Chaucer. — London, 1974.
Payne F. A. Chaucer and Menippean Satire. — Madison, 1981.
Ryan W. M. William Langland. — New Vork, 1968.
Vasta E. The spiritual basis of Piers Plowman. — The Hague, 1965.
Workman B. John Wyclif: A study of the English Medieval Church: 2 vol. — Oxford, 1926.
ЛИТЕРАТУРА XVI в.
The age of Shakespeare / Ed. by B. Ford. — London, 1961.
Brooke T. The Renaissance (1500—1660). — New York, 1948.
Bush D. Prefaces to Renaissance literature. — Cambridge (Mass.), 1966.
Caspari F. Humanism and the social order in Tudor England. — Chicago, 1954.
Church R. The growth of the English novel. — London, 1951.
Clark E. G. Ralegh and Marlowe: A study in Elizabethan fiction. — New York, 1965.
Cole H. C. A quest of inquirie: Some contexts of Tudor literature. — Indianopolis; New York, 1973.
Craig H. The literature of the English Renaissance. — London, 1962.
Crane W. G. Wit and rhetoric in the Renaissance. — London, 1937.
Cross W. L. The development of the English novel. — New York, 1899.
Cullen P. Spenser, Marvell and Renaissance pastoral. — Cambridge (Mass.), 1970.
Dunn E. C. The literature of Shakespeare’s England. — New York, 1936.
Edwards P. Sir Walter Ralegh. — London, 1953.
Elizabethan and Jacobean studies / Present to F. P. Wilson in honour of his 70th birthday. — Oxford, 1959.
|
|
|
English poetry and prose, 1540—1674 / Ed. by C. Ricks. — London, 1970.
Fraser R. A. The war against poetry. — Princeton (N. J.), 1970.
Greenblatt S. J. Sir Walter Ralegh: The Renaissance man and his roles. — New Haven, 1973.
Greg W. W. Collected papers / Ed. by J. C. Maxwell. — Oxford, 1966.
Hall V. Renaissance literary criticism: A study of the social content. — London, 1959.
Hazlitt W. Lectures on the literature of the age of Elizabeth and characters of Shakespeare’s plays. — London, 1884.
Houppert J. W. John Lyly. — New York, 1975.
Jeffery V. M. John Lyly and the Italian Renaissance. — New York, 1969.
Kernan A. The cankered muse: Satire in the English Renaissance. — New Haven, 1959.
Krapp G. P. The rise of English literary prose. — London, 1915.
Lecocq L. La satire en Angleterre de 1588 à 1603. — Paris, 1969.
Lefranc P. Sir Walter Ralegh écrivain: L’oeuvre et les idées. — Paris, 1968.
Mayer R. The concept of love in Sidney and Spencer. — Salzburg, 1978.
Morris H. Elizabethan literature. — London, 1958.
Nelson W. Fact or fiction: The dilemma of the Renaissance storyteller. — Cambridge, 1973.
O’Hara J. E. The rhetoric of love in Lyly’s «Euphues» and his England and Sydney’s «Arcadia». — Salzburg, 1978.
Powers D. C. English formal satire: Elizabethan to Augustan. — The Hague; Paris, 1971.
Ribner I. The English history play in the age of Shakespeare. — Princeton, 1957.
Rees J. Samuel Daniel. A critical and biographical study. — Liverpool, 1964.
Rossi S. Ricerche sull’umanesimo e sul Rinascimento in Inghilterra. — Milano, 1969.
Rowse A. L. The English Renaissance: The cultural achievement. — New York, 1972.
Saintsbury G. A history of Elizabethan literature. — London, 1896.
Schrickx W. Shakespeare’s early contemporaries. — Antwerpen, 1956.
Seronsy C. Samuel Daniel. — New York, 1967.
Shakespeare’s England. An account of the life and manners of his life: 2 vol. — Oxford, 1926.
Studies in English Renaissance literature / Ed. by W. J. McNeir. — Baton Rouge, 1962.
Tillyard E. M. The English epic and its background. — London, 1954.
Van Dorsten J. A. The radical arts: First decade of an English Renaissance. — London, 1970.
Waller G. F. The strong necessity of time: The philosophy of time in Shakespeare and Elizabethan literature. — The Hague; Paris, 1976.
Warren F. M. A history of the novel previous to the seventeenth century. — New York, 1895.
Welsford E. The fool, his social and literary history. — London, 1935.
Wilson K. G. Shakespeare’s contemporaries. — Englewood Cliffs, 1960.
ТОМАС МОР
Алексеев М. П. Славянские источники «Утопии» Томаса Мора. — В кн.: Алексеев М. П. Из истории английской литературы. М.; Л., 1960, с. 40—135.
Осиновский И. Н. Томас Мор. — М., 1974.
Осиновский И. Н. Томас Мор: утопический коммунизм, гуманизм, Реформация. — М., 1978.
Тарле Е. В. Общественные воззрения Томаса Мора в связи с экономическим состоянием Англии его времени. — Соч. М., 1957, т. 1, с. 119—265.
Томас Мор, 1478—1978: Коммунистические идеалы и история культуры / Отв. ред. В. И. Рутенбург. — М., 1981.
Chambers R. W. Thomas More. — London, 1942.
Hogrefe P. The Sir Thomas More circle: A program of ideas and their impact on secular drama. — Urbana, 1959.
Johnson R. S. More’s Utopia: ideal and illusion. — New Haven; London, 1969.
Willow M. E. An analysis of the English poems of St. Thomas More. — Nieuwkoop, 1974.
716
ПОЭЗИЯ
Addleshaw P. Sir Philip Sidney. — London, 1909.
Allen D. C. Image and meaning: Metaphoric traditions in Renaissance poetry. — Baltimore, 1960.
Alpers P. J. The poetry of the Faerie Queene. — Princeton, 1967.
Bacquet P. Un contemporain d’Elizabett I: Thomas Sackville. L’homme et l’oeuvre. — Genève, 1966.
Bennett J. W. The evolution of the Faerie Queene. — Chicago, 1942.
Berdan J. M. Early Tudor poetry, 1485—1547. — London, 1920.
Boas Fr. S. Sir Philip Sidney, representative Elizabethan: His life and writings. — London, 1955.
Braden G. The classics and English Renaissance poetry: Three case studies. — New Haven; London, 1978.
Bradner L. Edmund Spencer and the «Faerie Queene». — Chicago, 1948.
Chang H. C. Allegory and courtesy in Spencer. — Edinburgh, 1955.
Clemen W. Originalität und Tradition in der englischen Dichtungsgeschichte. — München, 1978.
Cullen P. Spenser, Marvell and Renaissance pastoral. — Cambridge (Mass.), 1970.
Danby J. F. Poets on Fortune’s Hill: Studies in Sidney, Shakespeare, Beaumont and Fletcher. — London, 1952.
Elizabethan poetry. — London, 1960.
Galm J. A. Sidney’s Arcadian poems. — Salzburg, 1973.
Genony H. L’Arcadia de Sidney dans ses rapports avec l’Arcadia de Sannazaro et la Diana de Montemayor. — Paris, 1928.
Grundy J. The Spenserian poets: A study of Elizabethan and Jacobean poetry. — London, 1969.
Howell R. Sir Philip Sidney: The shepherd knight. — London, 1968.
Johnson R. C. George Gascoigne. — New York, 1972.
Kalstone D. M. Sidney’s poetry: Contexts and interpretations. — Cambridge, 1965.
Kimbrough R. Sir Philip Sidney. — New York, 1971.
Lawry J. S. Sidney’s two Arcadias: Pattern and proceeding. — Ithaca, 1972.
Lever J. W. The Elizabethan love sonnet. — 2nd ed. — London, 1966.
Partridge A. C. The language of Renaissance poetry: Spenser, Shakespeare, Donne, Milton. — London, 1971.
Peterson D. L. The English lyric from Wyatt to Donne: A history of the plain and eloquent styles. — Princeton (N. J.), 1967.
Phillips J. E., Allen D. C. Neo-Latin poetry on the sixteenth and seventeenth centuries. — Los Angeles, 1965.
Seiden R. English verse satire, 1500—1765. — London, 1978.
Weiner A. D. Sir Philip Sidney and the poetics of Protestantism: A study of contexs. — Minneapolis, 1978.
ПРОЗА
Стороженко Н. Роберт Грин, его жизнь и произведения. — М., 1878.
Child C. G. John Lyly and euphuism. — Leipzig, 1894.
Crane W. G. Wit and rhetoric in the Renaissance: The formal basis of Elizabethan prose style. — New York, 1937.
Davis W. R. Idea and act in Elizabethan fiction. — Princeton, 1969.
|
|
|
Dent R. John Webster’s borrowing. — Berkeley, 1960.
Elizabethan fiction / Ed. by R. Ashley, E. M. Moseley. — San Francisco, 1953.
Feuillerat A. John Lyly: Contribution à l’histoire de la Renaissance en Angleterre. — Cambridge, 1910.
Garke E. The use of songs in Elizabethan prose fiction. — Bern, 1972.
Harman E. G. Gabriel Harvey and Thomas Nashe. — London, 1923.
Helgerson R. The Elizabethan prodigals. — Berkeley, 1976.
Hibbard G. R. Thomas Nashe: A critical introduction. — London, 1962.
Hornát J. Anglická renesančni prósa: Eufuistická beletrie od Pettieho Peláce Potĕchy do Greenova Pandosta / Renaissance prose in England: Euphuistic fiction from Pettie’s «Palace of pleasure» to Greene’s «Pandosto». — Prague, 1970.
Howarth R. G. Two Elizabethan writers of fiction: Thomas Nashe and Thomas Deloney. — Cape Town, 1956.
Jordan J. C. Robert Green. — New York, 1965.
Krapp G. P. The rise of English literary prose. — New York, 1915.
Lawlis M. E. Apology for the middle class: The dramatic novels of Thomas Deloney. — Bloomington, 1960.
Liljegren S. B. Studies on the origin and early tradition of English Utopian fiction. — Uppsala; Copenhagen, 1961.
MacCarthy B. G. Women writers: Their contribution to the English novel, 1621—1744. — Cork, 1944.
Mills L. J. One soul in bodies twain: Friendship in Tudor literature and Stuart drama. — Bloomington (Ind.), 1937.
Paradise N. B. Thomas Lodge: The history of an Elizabethan. — New Haven, 1931.
Pruvost R. Robert Greene et ses romans (1558—1592): Contribution ä l’histoire de la Renaissance en Angleterre. — Paris, 1938.
Rae W. D. Thomas Lodge. — New York, 1967.
Randall D. B. J. The golden tapestry: A critical survey of non-chivalric Spanish fiction in English translation (1543—1657). — Durham, 1963.
Schlauch M. Antecedents of the English novel, 1400—1600: (from Chaucer to Deloney). — London, 1963.
Tannenbaum S. A. John Lyly: A concise bibliography. — New York, 1940.
Tenney E. A. Thomas Lodge. — Ithaca, 1935.
Toliver H. E. Pastoral forms and attitudes. — Berkeley, 1971.
Vickers B. Frances Bacon and Renaissance prose. — London, 1968.
Whiteford R. W. Motives in English fiction. — New York, 1918.
Wilson J. D. John Lyly. — Cambridge, 1905.
ДРАМАТУРГИЯ
Мюллер В. К. Драма и театр эпохи Шекспира. — Л., 1925.
Парфенов А. Т. Кристофер Марло. — М., 1964.
Стороженко К. Предшественники Шекспира. — СПб., 1872. — Т. 1. Лили и Марло.
Appleton W. W. Beaumont and Fletcher: A critical study. — London, 1956.
Bakeless J. The tragical history of Christopher Marlowe: 2 vol. — Cambridge (Mass.), 1942.
Bevington D. M. From Mankind to Marlowe: Growth of structure in the popular drama of Tudor England. — Cambridge (Mass.), 1962.
Bradbrook M. C. A history of Elizabethan drama: 2 vol. — Cambridge, 1979.
Breuer H. Vorgeschichte des Fortschritts: Studien zur Historizität und Aktualität des Dramas der Shakespearezeit, Marlowe, Shakespeare, Jonson. — München, 1979.
Brooke C. J. T. The Tudor drama. — Boston, 1911.
Brooke R. John Webster and the Elizabethan drama. — New York, 1916.
717
Chambers E. K. The Elizabethan stage: 4 vol. — Oxford, 1923.
Cone M. Fletcher without Beaumont: A study of the independent plays of John Fletcher. — Salzburg, 1976.
Edwards P. Threshold of a nation: A study in English and Irish drama. — Cambridge, 1979.
Eliot T. S. Essays on Elizabethan drama. — New York, 1956.
|
|
|
Elizabethan drama: Modern essays in criticism / Ed. by R. J. Kaufmann. — Oxford, 1961.
Elizabethan theatre. — London, 1966.
Forsythe R. St. The relation of Shirley’s plays to the Elizabethan drama. — New York, 1914.
Freeman A. Thomas Kyd: Facts and problems. — Oxford, 1967.
Hazlitt W. Lectures chiefly on the dramatic literature of the age of Elizabeth. — London, 1820.
Helgerson R. The Elizabethan prodigals. — Berkeley, 1976.
Hensman B. The shares of Fletcher, Field and Massinger in twelve plays of the Beaumont and Fletcher canon: 2 vol. — Salzburg, 1974.
Jordan J. C. Robert Green. — New York, 1965.
Knoll R. E. Christopher Marlowe. — New York, 1969.
Levin H. The overreacher: A study of Christopher Marlowe. — Boston, 1964.
Marlowe: A collection of critical essays / Ed. by C. Leech. — Englewood Cliffs (N. J.), 1964.
Maxwell I. French farce and John Heywood. — Oxford, 1946.
Meehan V. M. Christopher Marlowe: Poet and playwright: studies in poetical method. — The Hague, Paris, 1974.
Murray P. B. Thomas Kyd. — New York, 1969.
The new intellectuals: A survey and bibliogr. of recent Studies in English Renaissance drama / Ed. by T. P. Logan, D. S. Smith. — Lincoln; London, 1977.
Pasachoff N. E. Playwrights, preachers and politicians: A study of four Tudor Old Testament dramas. — Salzburg, 1975.
Ribner I. The English history play in the age of Shakespeare. — Princeton, 1957.
Saccio P. The court comedies of John Lyly: A study in allegorical dramaturgy. — Princeton (N. J.), 1969.
Shakespeare’s contemporaries: Modern studies in English Renaissance drama. — 2nd ed. / With an introd. essay by A. Harbage; Ed. by M. Bluestone, N. Rabkin. — Englewood Cliffs (N. J.), 1970.
Stearne F. B. Marlowe: A critical study. — Cambridge, 1964.
Střibrnў Z. Shakespearovi prĕdchůdci. — Praha, 1965.
Stroup T. B. Microcosmos: The shape of the Elizabethan play. — Lexington, 1965.
Sykes H. D. Sidelights on Elizabethan drama. — London, 1924.
Symonds J. A. Shakespeare’s predecessors in the English drama. — London, 1884.
Waith E. M. The pattern of tragicomedy in Beaumont and Fletcher. — London, 1952.
Wallace C. W. The evolution of the English drama up to Shakespeare. — Berlin, 1912.
Weil J. Christopher Marlowe: Merlin’s prophet. — Cambridge, 1977.
Wilson F. P. Marlowe and the early Shakespeare. — London, 1953.
ШЕКСПИР
Аксенов И. Шекспир. — М., 1937. — Т. 1.
Аникст А. А. Первые издания Шекспира. — М., 1974.
Аникст А. Творчество Шекспира. — М., 1963.
Аникст А. Театр эпохи Шекспира. — М., 1965.
Аникст А. Шекспир: ремесло драматурга. — М., 1974.
Брандес Г. Шекспир, его жизнь и произведения: В 2-х т. / Пер. В. М. Спасской, Ф. М. Фриче; Под ред. Н. И. Стороженко, с предисл. и примеч. ред. — М., 1899—1901.
Левидова И. М. Шекспир: Библиогр. рус. пер. и крит. лит. на рус яз., 1748—1962. — М., 1964.
Левидова И. М. Уильям Шекспир: Библиогр указ. рус. пер. и крит. лит. на рус. яз., 1963—1975. — М., 1978.
Морозов М. М. Шекспир, 1564—1616. — М., 1956.
Пинский Л. Е. Шекспир: Основные начала драматургии. — М., 1971.
Смирнов А. Творчество Шекспира. — Л., 1934.
Стороженко К. Из опыта изучения Шекспира: Изд. учеников и почитателей. — М., 1902.
Урнов М. В., Урнов Д. М. Шекспир: Его герой и его время. — М., 1964.
Шведов Ю. Ф. Исторические хроники Шекспира. — М., 1964.
Шведов Ю. Ф. Эволюция шекспировской трагедии. — М., 1975.
Шекспир в меняющемся мире: Сб. ст. Пер. с англ. — М., 1966.
Шекспир в мировой литературе. Сб. ст. / Под общ. ред. Б. Реизова. — М.; Л., 1964.
Шекспир и русская культура / Под ред. М. П. Алексеева. — М.; Л., 1965.
Шекспировские чтения / Под ред. А. А. Аникста. — М., 1977. —. — Издание продолжается.
Adams J. Q. A life of William Shakespeare. — Boston, 1923.
Alexander P. Shakespeare. — London, 1964.
Baker A. C. The development of Shakespeare as a dramatist. — New York, 1965.
Baldwin T. W. Shakespeare’s five-act structure. — Urbana, 1947.
Bergeron D. M. Shakespeare: A study and research guide. — London, 1975.
Bethel S. L. Shakespeare and the popular dramatic tradition. — London, 1944.
Bradley A. C. Shakespearean tragedy: Lectures on «Hamlet», «Othello», «King Lear», «Macbeth». — London, 1905.
Brown J. R. Shakespeare and his comedies. — London, 1957.
Chambers E. K. William Shakespeare: A study ot facts and problems: 2 vol. — Oxford, 1930.
Charlton H. B. Shakespearean comedy. — London, 1938.
Coleridge S. T. Lectures and notes on Shakespeare and other English poets / Collect. by T. Ashe. — London, 1900.
Eagleton T. Shakespeare and society. — New Yale, 1967.
Ebisch W., Levin L. S. A Shakespeare bibliography. — Oxford, 1931.
Ebisch W., Levin L. S. Supplement for the years 1930—1935 to Shakespeare bibliography. — Oxford, 1937.
Ellis-Jermor U. Shakespeare the dramatist. — London, 1961.
Farnham W. Shakespeare’s tragic frontier. — Berkeley, 1950.
Frye N. Fools of time: Studies in Shakespearean tragedy. — Buffalo, 1973.
Frye N. A natural perspective: The development of Shakespearean comedy and romance. — London, 1965.
Goddard H. C. The meaning of Shakespeare. — Chicago, 1951.
Granville-Barker H., Harrison G. B. A companion to Shakespeare studies. — Cambridge, 1934.
Halliday F. E. Shakespeare in his age. — London, 1956.
Harbage A. Shakespeare and the rival traditions. — New York, 1952.
Hazlitt W. Characters of Shakespeare’s plays. — London, 1817.
718
Hubler E. The sense of Shakespeare’s sonnets. — New York, 1952.
Knight G. W. The imperial theme: Further interpretations of Shakespeare’s tragedies. — London, 1961.
Leishman B. Themes and variations in Shakespeare’s sonnets. — London, 1961.
MacCallum M. W. Shakespeare’s roman plays. — London, 1910.
Mincoff M. Shakespeare: The first steps. — Sofia, 1976.
Muir K. Shakespeare’s comic sequence. — Liverpool, 1979.
Muir K. Shakespeare’s source. — London, 1957.
Murry M. Shakespeare. — London, 1948.
Palmer J. The comic characters of Shakespeare. — London, 1946.
Palmer J. The political characters of Shakespeare. — London, 1945.
Parrott T. M. Shakespearean comedy. — New York, 1949.
Quennell P. Shakespeare: The poet and his background. — London, 1963.
Reese M. M. Shakespeare: His world and his work. — London, 1953.
Schoenbaum S. Shakespeare: The Globe and the World. — Oxford, 1979.
Schoenbaum S. William Shakespeare: A documentary life. — Oxford, 1975.
Schucking L. Character problems in Shakespeare’s plays. — Gloucester (Mass.), 1959.
Shakespeare: Select. Bibliogr. guides / Ed. by St. Wells. — Oxford, 1973.
Smith G. R. A classified Shakespeare bibliography, 1936—1958. — Univ. Park, 1963.
Spurgeon C. Shakespeare’s imagery. — Cambridge, 1935.
Stewart J. I. M. Character and motive in Shakespeare. — London, 1949.
Stoll E. E. Art and artifice in Shakespeare. — New York, 1933.
Tillyard E. M. W. Shakespeare’s history plays. — London, 1948.
Weimann R. Shakespeare and the popular tradition in the theatre: Studies in the social dimension of dramatic form and function / Ed. by R. Schwartz. — Baltimore, 1978.
Глава восьмая
ИРЛАНДСКАЯ ЛИТЕРАТУРА
Flower R. The Irish tradition. — Oxford, 1978.
Knott E., Murphy G. Early Irish literature / Introd. by I. Carney. — London, 1966.
Knott E. An introduction to Irish syllabic poetry of the period 1200—1600. — 2nd ed. — Dublin, 1957.
O’Connor J. A short history of Irish literature: A backward look. — New York, 1967.
Глава девятая
ИСПАНСКАЯ ЛИТЕРАТУРА
Cotarelo y Mori E. Bibliografía de las controversias sobre la licitud del teatro en España. — Madrid, 1904.
Simón Díaz J. Manual de bibliografía de la literatura española. — 2-a ed., ampl. con unas adiciones 1962—1964. — Barcelona, 1966.
*
Алексеев М. П. Очерки истории испано-русских литературных отношений XVI—XIX вв. — Л., 1964.
Культура Испании: Сборник. — М., 1940.
Менендес Пидаль Р. Избранные произведения: Испанская литература Средних веков и эпохи Возрождения / Сост. К. В. Цуринов, Ф. В. Кельин. — М., 1961.
Avalle-Arce J. B. Dintorno de una época dorada. — Madrid, 1978.
Cejador y Frauca J. Historia de la lengua y literatura castellana. T. 1. P. 1—2. Desde los orígenes hasta Carlos V. — Madrid, 1972.
García López J. Historia de la literatura española. — 9-a ed. — Barcelona, 1964.
Estudios literarios de hispanistas norteamericanos dedicados a Helmut Hatzfeld con motivo de su 80 aniversario / Ed. por J. M. Sola-Solé, A. Crisafulli, B. Damiani. — Barcelona, 1974.
Hatzfeld H. Estudios literarios sobre mística española. — 2-a ed., corr. y aum. — Madrid, 1968.
Historia general de las literaturas hispánicas: 6 t. T. 2—3. — Madrid, 1951—1953.
Pfandl L. Spanische Literaturgeschichte. Bd. 1. Mittelalter und Renaissance. — Leipzig; Berlin, 1923.
Rodríguez-Puertolas J. Literatura, historia, alienación. — Barcelona, 1976.
Vossler K. Introducción a la literatura española del Siglo de Oro: Seis lecciones. — Buenos Aires; México, 1945.
ЛИТЕРАТУРА ПОЗДНЕГО СРЕДНЕВЕКОВЬЯ (XIV в.)
Смирнов А. А. Средневековая литература Испании / Отв. ред. В. М. Жирмунский. — Л., 1969.
Aguado J. M. Glosario sobre Juan Ruiz, poeta castellano del siglo XIV. — Madrid, 1929.
El Arcipreste de Hita: El libro, el autor, la tierra, la época. — Barcelona, 1973.
Barcia P. L. Análisis de el Conde Lucanor. — Buenos Aires, 1968.
Beltrán L. Razones de Buen Amor: Oposiciones y convergencias en el libro del Arcipreste de Hita. — Madrid, 1977.
Castelli E. «El libro de Buen Amor» de Juan Ruiz Arcipreste de Hita. — Santa Fe, 1969.
Devoto D. Introducción al pstudio de don Juan Manuel, y en particular de El Conde Lucanor: Una bibliografía. — Madrid, 1972.
Gariano C. El mundo poético de Juan Ruiz. — Madrid, 1968.
Le Gentil P. La poésie lyrique espagnole et portugaise à la fin du Moyen Age: 2 t. — Rennes, 1949—1953.
Lecoy F. Recherches sur le «Libro de Buen Amor». — Paris, 1938.
ЛИТЕРАТУРА XV в.: ВОЗРОЖДЕНИЕ В КАТАЛОНИИ,
РОСТКИ РЕНЕССАНСНОЙ КУЛЬТУРЫ В КАСТИЛИИ
Lapesa R. La obra literaria del Marqués de Santillana. — Madrid, 1957.
Lida de Malkiel M. R. Juan de Mena, poeta del prerrenacimiento español. — México, 1950.
Menéndez Pelayo M. Historia de la poesía castellana en la Edad media / Ed. ordenada y anotada por A. Bonilla y San Martín. — Madrid, 1916.
Menéndez Pelayo M. Orígenes de la novela: 3 t. — Buenos Aires, 1946.
Salinas P. Jorge Manrique, o tradición y originalidad. — Barcelona, 1974.
Serrano de Haro A. Personalidad y destino de Jorge Manrique. — Madrid, 1966.
ЛИТЕРАТУРА РАННЕГО
ОБЩЕИСПАНСКОГО ВОЗРОЖДЕНИЯ
Bataillon M. La Celestina selon Fernando de Rojas. — Paris, 1961.
Bataillon M. Erasme et l’Espagne: Recherches sur l’histoire spirituelle du XVIem siècle. — Paris, 1937.
Castro A. «La Celestina» como contienda literaria. — Madrid, 1965.
Castro A. Hacia Cervantes. — Madrid, 1957.
719
Castro Guisasola F. Observaciones sobre las fuentes literarias de «La Celestina». — Madrid, 1973.
Cotarelo E. Lope de Rueda y el teatro español de su tiempo. — Madrid, 1901.
Curto Herrero F. F. Estructura de los libros españoles de caballerías en el siglo XVI. — Madrid, 1976.
Darst D. H. Juan Boscán. — Boston, 1978.
Durán A. Estructura y técnicas de la novela sentimental y caballeresca. — Madrid, 1973.
Gilman S. The Spain of Fernando de Rojas: The intellectual and social landscape of «La Celestina». — Princeton, 1972.
Hermenegildo A. Renacimiento, teatro y sociedad: Vida y obra de Lucas Fernández. — Madrid, 1975.
Jones J. R. Antonio de Guevara. — New York, 1975.
Lapesa R. La trayectoria poética de Garcilaso. — 2-a ed., corr. — Madrid, 1968.
Libros de caballerías hispánicos: Castilla, Cataluña y Portugal / Estudio, antología y argumentos de J. Amezcua. — Madrid, 1973.
