double arrow

Героический эпос Центральной Азии и Сибири 7 страница

Garnett R., Gosse E. English literature: 4 vol. Vol. 1—2. — New York, 1935.

A literary history of England: 4 vol. / Ed. by A. A. Baugh. Vol. 1—2. — New York. 1948.

Medieval literature and folklore studies / Ed. by F. Mandel, B. A. Rosenberg. — New Brunswich, 1970.

Morley H. An attempt towards a history of English literature. Vol. 6—11. — London, 1890—1893.

Oxford history of English literature. Vol. 3. — Oxford, 1954.

Ward A. W., Waller A. R. The Cambridge history of English literature: 15 vol. Vol. 4—9. — Cambridge, 1932.


Кашкин И. А. Джеффри Чосер. — В кн.: Кашкин И. А. Для читателя современника. М., 1968, с. 227—261.

Крусман В. На заре английского гуманизма: Английские корреспонденты первых итальянских гуманистов в ближайшей своей обстановке. — Одесса, 1915.

Петрушевский Д. М. Видение Ленгленда и современная ему английская действительность. — В кн.: Ленгленд У. Видение о Петре Пахаре. М., 1941, с. 5—40.

The Age of Chaucer / Ed. by B. Ford. — Harmondsworth (Midd’x), 1976.

Aspects of Malory / Ed. by T. Takamiya, D. Brewer. — Woodbridge, 1981.

Baum P. F. Chaucer: A critical appreciation. — Durham, 1958.

Benson L. D. Malory’s Morte Darthur. — Cambridge (Mass.); London, 1976.

Brewer D. Chaucer and his world. — London, 1978.

Chambers E. K. Sir Thomas Wyatt and some collected studies. — New York, 1965.

Chaucer: The critical heritage / Ed. by D. Brewer: 2 vol. — London, 1978.

Chesterton G. K. Chaucer. — London, 1959.

Dodd W. G. Courtly love in Chaucer and Gower. — Gloucester (Mass.), 1959. — (Harvard Studies in English; Vol. 1).

Elbow P. Oppositions in Chaucer. — Middleton (Conn.), 1975.

Eliason N. E. The language of Chaucer’s poetry: An appraisal of the verse, style, and structure. — Copenhagen, 1972.

Erzgräber W. William Langlands «Piers Plowman». — Heidelberg, 1957.

Field P. F. C. Romance and chronicle: A study of Malory’s prose style. — London, 1971.

Fowler D. C. Piers the Plowman: Literary relations of the A. and B. texts. — Seattle, 1961.

Frank R. W. Piers Plowman and the scheme of salvation: An interpretation of Dowel, Dobet, and Dobest. — New Haven: Yale univ. press; London: Oxford univ. press, 1957.


Geoffrey Chaucer / Ed. by D. Brewer. — London, 1974.

Hicks E. Sir Thomas Malory: his turbulent career. — New York, 1970.

Hieatt C. B. The realism of dream visions: The poetic exploitations of the dream-experience in Chaucer and his contemporaries. — The Hague; Paris, 1967.

Interpretations of Piers Plowman / Ed. by E. Vasta. — Notre Dame; London, 1968.

Kane G. Middle English literature: A critical study of the romances, the religious lyrics, «Piers Plowman». — London, 1951.

Kellogg A. L. Chaucer, Langland, Arthur: Essays in Middle English literature. — New Brunswick, 1972.

Lawlor F. Piers Plowman: An essay in criticism. — London, 1962.

Malory’s originality: A critical study of Le Morte Darthur / Ed. by R. M. Lumiansky. — Baltimore, 1964.

Norton-Smith F. Geoffrey Chaucer. — London, 1974.

Payne F. A. Chaucer and Menippean Satire. — Madison, 1981.

Ryan W. M. William Langland. — New Vork, 1968.

Vasta E. The spiritual basis of Piers Plowman. — The Hague, 1965.

Workman B. John Wyclif: A study of the English Medieval Church: 2 vol. — Oxford, 1926.


The age of Shakespeare / Ed. by B. Ford. — London, 1961.

Brooke T. The Renaissance (1500—1660). — New York, 1948.

Bush D. Prefaces to Renaissance literature. — Cambridge (Mass.), 1966.

Caspari F. Humanism and the social order in Tudor England. — Chicago, 1954.

Church R. The growth of the English novel. — London, 1951.

Clark E. G. Ralegh and Marlowe: A study in Elizabethan fiction. — New York, 1965.

Cole H. C. A quest of inquirie: Some contexts of Tudor literature. — Indianopolis; New York, 1973.

Craig H. The literature of the English Renaissance. — London, 1962.

Crane W. G. Wit and rhetoric in the Renaissance. — London, 1937.

Cross W. L. The development of the English novel. — New York, 1899.

Cullen P. Spenser, Marvell and Renaissance pastoral. — Cambridge (Mass.), 1970.

Dunn E. C. The literature of Shakespeare’s England. — New York, 1936.

Edwards P. Sir Walter Ralegh. — London, 1953.

Elizabethan and Jacobean studies / Present to F. P. Wilson in honour of his 70th birthday. — Oxford, 1959.

English poetry and prose, 1540—1674 / Ed. by C. Ricks. — London, 1970.

Fraser R. A. The war against poetry. — Princeton (N. J.), 1970.

Greenblatt S. J. Sir Walter Ralegh: The Renaissance man and his roles. — New Haven, 1973.

Greg W. W. Collected papers / Ed. by J. C. Maxwell. — Oxford, 1966.

Hall V. Renaissance literary criticism: A study of the social content. — London, 1959.

Hazlitt W. Lectures on the literature of the age of Elizabeth and characters of Shakespeare’s plays. — London, 1884.

Houppert J. W. John Lyly. — New York, 1975.

Jeffery V. M. John Lyly and the Italian Renaissance. — New York, 1969.

Kernan A. The cankered muse: Satire in the English Renaissance. — New Haven, 1959.

Krapp G. P. The rise of English literary prose. — London, 1915.

Lecocq L. La satire en Angleterre de 1588 à 1603. — Paris, 1969.

Lefranc P. Sir Walter Ralegh écrivain: L’oeuvre et les idées. — Paris, 1968.

Mayer R. The concept of love in Sidney and Spencer. — Salzburg, 1978.

Morris H. Elizabethan literature. — London, 1958.

Nelson W. Fact or fiction: The dilemma of the Renaissance storyteller. — Cambridge, 1973.

O’Hara J. E. The rhetoric of love in Lyly’s «Euphues» and his England and Sydney’s «Arcadia». — Salzburg, 1978.

Powers D. C. English formal satire: Elizabethan to Augustan. — The Hague; Paris, 1971.

Ribner I. The English history play in the age of Shakespeare. — Princeton, 1957.

Rees J. Samuel Daniel. A critical and biographical study. — Liverpool, 1964.

Rossi S. Ricerche sull’umanesimo e sul Rinascimento in Inghilterra. — Milano, 1969.

Rowse A. L. The English Renaissance: The cultural achievement. — New York, 1972.

Saintsbury G. A history of Elizabethan literature. — London, 1896.

Schrickx W. Shakespeare’s early contemporaries. — Antwerpen, 1956.

Seronsy C. Samuel Daniel. — New York, 1967.

Shakespeare’s England. An account of the life and manners of his life: 2 vol. — Oxford, 1926.

Studies in English Renaissance literature / Ed. by W. J. McNeir. — Baton Rouge, 1962.

Tillyard E. M. The English epic and its background. — London, 1954.

Van Dorsten J. A. The radical arts: First decade of an English Renaissance. — London, 1970.

Waller G. F. The strong necessity of time: The philosophy of time in Shakespeare and Elizabethan literature. — The Hague; Paris, 1976.

Warren F. M. A history of the novel previous to the seventeenth century. — New York, 1895.

Welsford E. The fool, his social and literary history. — London, 1935.

Wilson K. G. Shakespeare’s contemporaries. — Englewood Cliffs, 1960.


Алексеев М. П. Славянские источники «Утопии» Томаса Мора. — В кн.: Алексеев М. П. Из истории английской литературы. М.; Л., 1960, с. 40—135.

Осиновский И. Н. Томас Мор. — М., 1974.

Осиновский И. Н. Томас Мор: утопический коммунизм, гуманизм, Реформация. — М., 1978.

Тарле Е. В. Общественные воззрения Томаса Мора в связи с экономическим состоянием Англии его времени. — Соч. М., 1957, т. 1, с. 119—265.

Томас Мор, 1478—1978: Коммунистические идеалы и история культуры / Отв. ред. В. И. Рутенбург. — М., 1981.

Chambers R. W. Thomas More. — London, 1942.

Hogrefe P. The Sir Thomas More circle: A program of ideas and their impact on secular drama. — Urbana, 1959.

Johnson R. S. More’s Utopia: ideal and illusion. — New Haven; London, 1969.

Willow M. E. An analysis of the English poems of St. Thomas More. — Nieuwkoop, 1974.



Addleshaw P. Sir Philip Sidney. — London, 1909.

Allen D. C. Image and meaning: Metaphoric traditions in Renaissance poetry. — Baltimore, 1960.

Alpers P. J. The poetry of the Faerie Queene. — Princeton, 1967.

Bacquet P. Un contemporain d’Elizabett I: Thomas Sackville. L’homme et l’oeuvre. — Genève, 1966.

Bennett J. W. The evolution of the Faerie Queene. — Chicago, 1942.

Berdan J. M. Early Tudor poetry, 1485—1547. — London, 1920.

Boas Fr. S. Sir Philip Sidney, representative Elizabethan: His life and writings. — London, 1955.

Braden G. The classics and English Renaissance poetry: Three case studies. — New Haven; London, 1978.

Bradner L. Edmund Spencer and the «Faerie Queene». — Chicago, 1948.

Chang H. C. Allegory and courtesy in Spencer. — Edinburgh, 1955.

Clemen W. Originalität und Tradition in der englischen Dichtungsgeschichte. — München, 1978.

Cullen P. Spenser, Marvell and Renaissance pastoral. — Cambridge (Mass.), 1970.

Danby J. F. Poets on Fortune’s Hill: Studies in Sidney, Shakespeare, Beaumont and Fletcher. — London, 1952.

Elizabethan poetry. — London, 1960.

Galm J. A. Sidney’s Arcadian poems. — Salzburg, 1973.

Genony H. L’Arcadia de Sidney dans ses rapports avec l’Arcadia de Sannazaro et la Diana de Montemayor. — Paris, 1928.

Grundy J. The Spenserian poets: A study of Elizabethan and Jacobean poetry. — London, 1969.

Howell R. Sir Philip Sidney: The shepherd knight. — London, 1968.

Johnson R. C. George Gascoigne. — New York, 1972.

Kalstone D. M. Sidney’s poetry: Contexts and interpretations. — Cambridge, 1965.

Kimbrough R. Sir Philip Sidney. — New York, 1971.

Lawry J. S. Sidney’s two Arcadias: Pattern and proceeding. — Ithaca, 1972.

Lever J. W. The Elizabethan love sonnet. — 2nd ed. — London, 1966.

Partridge A. C. The language of Renaissance poetry: Spenser, Shakespeare, Donne, Milton. — London, 1971.

Peterson D. L. The English lyric from Wyatt to Donne: A history of the plain and eloquent styles. — Princeton (N. J.), 1967.

Phillips J. E., Allen D. C. Neo-Latin poetry on the sixteenth and seventeenth centuries. — Los Angeles, 1965.

Seiden R. English verse satire, 1500—1765. — London, 1978.

Weiner A. D. Sir Philip Sidney and the poetics of Protestantism: A study of contexs. — Minneapolis, 1978.


Стороженко Н. Роберт Грин, его жизнь и произведения. — М., 1878.

Child C. G. John Lyly and euphuism. — Leipzig, 1894.

Crane W. G. Wit and rhetoric in the Renaissance: The formal basis of Elizabethan prose style. — New York, 1937.

Davis W. R. Idea and act in Elizabethan fiction. — Princeton, 1969.

Dent R. John Webster’s borrowing. — Berkeley, 1960.

Elizabethan fiction / Ed. by R. Ashley, E. M. Moseley. — San Francisco, 1953.

Feuillerat A. John Lyly: Contribution à l’histoire de la Renaissance en Angleterre. — Cambridge, 1910.

Garke E. The use of songs in Elizabethan prose fiction. — Bern, 1972.

Harman E. G. Gabriel Harvey and Thomas Nashe. — London, 1923.

Helgerson R. The Elizabethan prodigals. — Berkeley, 1976.

Hibbard G. R. Thomas Nashe: A critical introduction. — London, 1962.

Hornát J. Anglická renesančni prósa: Eufuistická beletrie od Pettieho Peláce Potĕchy do Greenova Pandosta / Renaissance prose in England: Euphuistic fiction from Pettie’s «Palace of pleasure» to Greene’s «Pandosto». — Prague, 1970.

Howarth R. G. Two Elizabethan writers of fiction: Thomas Nashe and Thomas Deloney. — Cape Town, 1956.

Jordan J. C. Robert Green. — New York, 1965.

Krapp G. P. The rise of English literary prose. — New York, 1915.

Lawlis M. E. Apology for the middle class: The dramatic novels of Thomas Deloney. — Bloomington, 1960.

Liljegren S. B. Studies on the origin and early tradition of English Utopian fiction. — Uppsala; Copenhagen, 1961.

MacCarthy B. G. Women writers: Their contribution to the English novel, 1621—1744. — Cork, 1944.

Mills L. J. One soul in bodies twain: Friendship in Tudor literature and Stuart drama. — Bloomington (Ind.), 1937.

Paradise N. B. Thomas Lodge: The history of an Elizabethan. — New Haven, 1931.

Pruvost R. Robert Greene et ses romans (1558—1592): Contribution ä l’histoire de la Renaissance en Angleterre. — Paris, 1938.

Rae W. D. Thomas Lodge. — New York, 1967.

Randall D. B. J. The golden tapestry: A critical survey of non-chivalric Spanish fiction in English translation (1543—1657). — Durham, 1963.

Schlauch M. Antecedents of the English novel, 1400—1600: (from Chaucer to Deloney). — London, 1963.

Tannenbaum S. A. John Lyly: A concise bibliography. — New York, 1940.

Tenney E. A. Thomas Lodge. — Ithaca, 1935.

Toliver H. E. Pastoral forms and attitudes. — Berkeley, 1971.

Vickers B. Frances Bacon and Renaissance prose. — London, 1968.

Whiteford R. W. Motives in English fiction. — New York, 1918.

Wilson J. D. John Lyly. — Cambridge, 1905.


Мюллер В. К. Драма и театр эпохи Шекспира. — Л., 1925.

Парфенов А. Т. Кристофер Марло. — М., 1964.

Стороженко К. Предшественники Шекспира. — СПб., 1872. — Т. 1. Лили и Марло.

Appleton W. W. Beaumont and Fletcher: A critical study. — London, 1956.

Bakeless J. The tragical history of Christopher Marlowe: 2 vol. — Cambridge (Mass.), 1942.

Bevington D. M. From Mankind to Marlowe: Growth of structure in the popular drama of Tudor England. — Cambridge (Mass.), 1962.

Bradbrook M. C. A history of Elizabethan drama: 2 vol. — Cambridge, 1979.

Breuer H. Vorgeschichte des Fortschritts: Studien zur Historizität und Aktualität des Dramas der Shakespearezeit, Marlowe, Shakespeare, Jonson. — München, 1979.

Brooke C. J. T. The Tudor drama. — Boston, 1911.

Brooke R. John Webster and the Elizabethan drama. — New York, 1916.


Chambers E. K. The Elizabethan stage: 4 vol. — Oxford, 1923.

Cone M. Fletcher without Beaumont: A study of the independent plays of John Fletcher. — Salzburg, 1976.

Edwards P. Threshold of a nation: A study in English and Irish drama. — Cambridge, 1979.

Eliot T. S. Essays on Elizabethan drama. — New York, 1956.

Elizabethan drama: Modern essays in criticism / Ed. by R. J. Kaufmann. — Oxford, 1961.

Elizabethan theatre. — London, 1966.

Forsythe R. St. The relation of Shirley’s plays to the Elizabethan drama. — New York, 1914.

Freeman A. Thomas Kyd: Facts and problems. — Oxford, 1967.

Hazlitt W. Lectures chiefly on the dramatic literature of the age of Elizabeth. — London, 1820.

Helgerson R. The Elizabethan prodigals. — Berkeley, 1976.

Hensman B. The shares of Fletcher, Field and Massinger in twelve plays of the Beaumont and Fletcher canon: 2 vol. — Salzburg, 1974.

Jordan J. C. Robert Green. — New York, 1965.

Knoll R. E. Christopher Marlowe. — New York, 1969.

Levin H. The overreacher: A study of Christopher Marlowe. — Boston, 1964.

Marlowe: A collection of critical essays / Ed. by C. Leech. — Englewood Cliffs (N. J.), 1964.

Maxwell I. French farce and John Heywood. — Oxford, 1946.

Meehan V. M. Christopher Marlowe: Poet and playwright: studies in poetical method. — The Hague, Paris, 1974.

Murray P. B. Thomas Kyd. — New York, 1969.

The new intellectuals: A survey and bibliogr. of recent Studies in English Renaissance drama / Ed. by T. P. Logan, D. S. Smith. — Lincoln; London, 1977.

Pasachoff N. E. Playwrights, preachers and politicians: A study of four Tudor Old Testament dramas. — Salzburg, 1975.

Ribner I. The English history play in the age of Shakespeare. — Princeton, 1957.

Saccio P. The court comedies of John Lyly: A study in allegorical dramaturgy. — Princeton (N. J.), 1969.

Shakespeare’s contemporaries: Modern studies in English Renaissance drama. — 2nd ed. / With an introd. essay by A. Harbage; Ed. by M. Bluestone, N. Rabkin. — Englewood Cliffs (N. J.), 1970.

Stearne F. B. Marlowe: A critical study. — Cambridge, 1964.

Střibrnў Z. Shakespearovi prĕdchůdci. — Praha, 1965.

Stroup T. B. Microcosmos: The shape of the Elizabethan play. — Lexington, 1965.

Sykes H. D. Sidelights on Elizabethan drama. — London, 1924.

Symonds J. A. Shakespeare’s predecessors in the English drama. — London, 1884.

Waith E. M. The pattern of tragicomedy in Beaumont and Fletcher. — London, 1952.

Wallace C. W. The evolution of the English drama up to Shakespeare. — Berlin, 1912.

Weil J. Christopher Marlowe: Merlin’s prophet. — Cambridge, 1977.

Wilson F. P. Marlowe and the early Shakespeare. — London, 1953.


Аксенов И. Шекспир. — М., 1937. — Т. 1.

Аникст А. А. Первые издания Шекспира. — М., 1974.

Аникст А. Творчество Шекспира. — М., 1963.

Аникст А. Театр эпохи Шекспира. — М., 1965.

Аникст А. Шекспир: ремесло драматурга. — М., 1974.

Брандес Г. Шекспир, его жизнь и произведения: В 2-х т. / Пер. В. М. Спасской, Ф. М. Фриче; Под ред. Н. И. Стороженко, с предисл. и примеч. ред. — М., 1899—1901.

Левидова И. М. Шекспир: Библиогр. рус. пер. и крит. лит. на рус яз., 1748—1962. — М., 1964.

Левидова И. М. Уильям Шекспир: Библиогр указ. рус. пер. и крит. лит. на рус. яз., 1963—1975. — М., 1978.

Морозов М. М. Шекспир, 1564—1616. — М., 1956.

Пинский Л. Е. Шекспир: Основные начала драматургии. — М., 1971.

Смирнов А. Творчество Шекспира. — Л., 1934.

Стороженко К. Из опыта изучения Шекспира: Изд. учеников и почитателей. — М., 1902.

Урнов М. В., Урнов Д. М. Шекспир: Его герой и его время. — М., 1964.

Шведов Ю. Ф. Исторические хроники Шекспира. — М., 1964.

Шведов Ю. Ф. Эволюция шекспировской трагедии. — М., 1975.

Шекспир в меняющемся мире: Сб. ст. Пер. с англ. — М., 1966.

Шекспир в мировой литературе. Сб. ст. / Под общ. ред. Б. Реизова. — М.; Л., 1964.

Шекспир и русская культура / Под ред. М. П. Алексеева. — М.; Л., 1965.

Шекспировские чтения / Под ред. А. А. Аникста. — М., 1977. —. — Издание продолжается.

Adams J. Q. A life of William Shakespeare. — Boston, 1923.

Alexander P. Shakespeare. — London, 1964.

Baker A. C. The development of Shakespeare as a dramatist. — New York, 1965.

Baldwin T. W. Shakespeare’s five-act structure. — Urbana, 1947.

Bergeron D. M. Shakespeare: A study and research guide. — London, 1975.

Bethel S. L. Shakespeare and the popular dramatic tradition. — London, 1944.

Bradley A. C. Shakespearean tragedy: Lectures on «Hamlet», «Othello», «King Lear», «Macbeth». — London, 1905.

Brown J. R. Shakespeare and his comedies. — London, 1957.

Chambers E. K. William Shakespeare: A study ot facts and problems: 2 vol. — Oxford, 1930.

Charlton H. B. Shakespearean comedy. — London, 1938.

Coleridge S. T. Lectures and notes on Shakespeare and other English poets / Collect. by T. Ashe. — London, 1900.

Eagleton T. Shakespeare and society. — New Yale, 1967.

Ebisch W., Levin L. S. A Shakespeare bibliography. — Oxford, 1931.

Ebisch W., Levin L. S. Supplement for the years 1930—1935 to Shakespeare bibliography. — Oxford, 1937.

Ellis-Jermor U. Shakespeare the dramatist. — London, 1961.

Farnham W. Shakespeare’s tragic frontier. — Berkeley, 1950.

Frye N. Fools of time: Studies in Shakespearean tragedy. — Buffalo, 1973.

Frye N. A natural perspective: The development of Shakespearean comedy and romance. — London, 1965.

Goddard H. C. The meaning of Shakespeare. — Chicago, 1951.

Granville-Barker H., Harrison G. B. A companion to Shakespeare studies. — Cambridge, 1934.

Halliday F. E. Shakespeare in his age. — London, 1956.

Harbage A. Shakespeare and the rival traditions. — New York, 1952.

Hazlitt W. Characters of Shakespeare’s plays. — London, 1817.


Hubler E. The sense of Shakespeare’s sonnets. — New York, 1952.

Knight G. W. The imperial theme: Further interpretations of Shakespeare’s tragedies. — London, 1961.

Leishman B. Themes and variations in Shakespeare’s sonnets. — London, 1961.

MacCallum M. W. Shakespeare’s roman plays. — London, 1910.

Mincoff M. Shakespeare: The first steps. — Sofia, 1976.

Muir K. Shakespeare’s comic sequence. — Liverpool, 1979.

Muir K. Shakespeare’s source. — London, 1957.

Murry M. Shakespeare. — London, 1948.

Palmer J. The comic characters of Shakespeare. — London, 1946.

Palmer J. The political characters of Shakespeare. — London, 1945.

Parrott T. M. Shakespearean comedy. — New York, 1949.

Quennell P. Shakespeare: The poet and his background. — London, 1963.

Reese M. M. Shakespeare: His world and his work. — London, 1953.

Schoenbaum S. Shakespeare: The Globe and the World. — Oxford, 1979.

Schoenbaum S. William Shakespeare: A documentary life. — Oxford, 1975.

Schucking L. Character problems in Shakespeare’s plays. — Gloucester (Mass.), 1959.

Shakespeare: Select. Bibliogr. guides / Ed. by St. Wells. — Oxford, 1973.

Smith G. R. A classified Shakespeare bibliography, 1936—1958. — Univ. Park, 1963.

Spurgeon C. Shakespeare’s imagery. — Cambridge, 1935.

Stewart J. I. M. Character and motive in Shakespeare. — London, 1949.

Stoll E. E. Art and artifice in Shakespeare. — New York, 1933.

Tillyard E. M. W. Shakespeare’s history plays. — London, 1948.

Weimann R. Shakespeare and the popular tradition in the theatre: Studies in the social dimension of dramatic form and function / Ed. by R. Schwartz. — Baltimore, 1978.

Глава восьмая


Flower R. The Irish tradition. — Oxford, 1978.

Knott E., Murphy G. Early Irish literature / Introd. by I. Carney. — London, 1966.

Knott E. An introduction to Irish syllabic poetry of the period 1200—1600. — 2nd ed. — Dublin, 1957.

O’Connor J. A short history of Irish literature: A backward look. — New York, 1967.

Глава девятая


Cotarelo y Mori E. Bibliografía de las controversias sobre la licitud del teatro en España. — Madrid, 1904.

Simón Díaz J. Manual de bibliografía de la literatura española. — 2-a ed., ampl. con unas adiciones 1962—1964. — Barcelona, 1966.


Алексеев М. П. Очерки истории испано-русских литературных отношений XVI—XIX вв. — Л., 1964.

Культура Испании: Сборник. — М., 1940.

Менендес Пидаль Р. Избранные произведения: Испанская литература Средних веков и эпохи Возрождения / Сост. К. В. Цуринов, Ф. В. Кельин. — М., 1961.

Avalle-Arce J. B. Dintorno de una época dorada. — Madrid, 1978.

Cejador y Frauca J. Historia de la lengua y literatura castellana. T. 1. P. 1—2. Desde los orígenes hasta Carlos V. — Madrid, 1972.

García López J. Historia de la literatura española. — 9-a ed. — Barcelona, 1964.

Estudios literarios de hispanistas norteamericanos dedicados a Helmut Hatzfeld con motivo de su 80 aniversario / Ed. por J. M. Sola-Solé, A. Crisafulli, B. Damiani. — Barcelona, 1974.

Hatzfeld H. Estudios literarios sobre mística española. — 2-a ed., corr. y aum. — Madrid, 1968.

Historia general de las literaturas hispánicas: 6 t. T. 2—3. — Madrid, 1951—1953.

Pfandl L. Spanische Literaturgeschichte. Bd. 1. Mittelalter und Renaissance. — Leipzig; Berlin, 1923.

Rodríguez-Puertolas J. Literatura, historia, alienación. — Barcelona, 1976.

Vossler K. Introducción a la literatura española del Siglo de Oro: Seis lecciones. — Buenos Aires; México, 1945.


Смирнов А. А. Средневековая литература Испании / Отв. ред. В. М. Жирмунский. — Л., 1969.

Aguado J. M. Glosario sobre Juan Ruiz, poeta castellano del siglo XIV. — Madrid, 1929.

El Arcipreste de Hita: El libro, el autor, la tierra, la época. — Barcelona, 1973.

Barcia P. L. Análisis de el Conde Lucanor. — Buenos Aires, 1968.

Beltrán L. Razones de Buen Amor: Oposiciones y convergencias en el libro del Arcipreste de Hita. — Madrid, 1977.

Castelli E. «El libro de Buen Amor» de Juan Ruiz Arcipreste de Hita. — Santa Fe, 1969.

Devoto D. Introducción al pstudio de don Juan Manuel, y en particular de El Conde Lucanor: Una bibliografía. — Madrid, 1972.

Gariano C. El mundo poético de Juan Ruiz. — Madrid, 1968.

Le Gentil P. La poésie lyrique espagnole et portugaise à la fin du Moyen Age: 2 t. — Rennes, 1949—1953.

Lecoy F. Recherches sur le «Libro de Buen Amor». — Paris, 1938.


Lapesa R. La obra literaria del Marqués de Santillana. — Madrid, 1957.

Lida de Malkiel M. R. Juan de Mena, poeta del prerrenacimiento español. — México, 1950.

Menéndez Pelayo M. Historia de la poesía castellana en la Edad media / Ed. ordenada y anotada por A. Bonilla y San Martín. — Madrid, 1916.

Menéndez Pelayo M. Orígenes de la novela: 3 t. — Buenos Aires, 1946.

Salinas P. Jorge Manrique, o tradición y originalidad. — Barcelona, 1974.

Serrano de Haro A. Personalidad y destino de Jorge Manrique. — Madrid, 1966.


Bataillon M. La Celestina selon Fernando de Rojas. — Paris, 1961.

Bataillon M. Erasme et l’Espagne: Recherches sur l’histoire spirituelle du XVIem siècle. — Paris, 1937.

Castro A. «La Celestina» como contienda literaria. — Madrid, 1965.

Castro A. Hacia Cervantes. — Madrid, 1957.


Castro Guisasola F. Observaciones sobre las fuentes literarias de «La Celestina». — Madrid, 1973.

Cotarelo E. Lope de Rueda y el teatro español de su tiempo. — Madrid, 1901.

Curto Herrero F. F. Estructura de los libros españoles de caballerías en el siglo XVI. — Madrid, 1976.

Darst D. H. Juan Boscán. — Boston, 1978.

Durán A. Estructura y técnicas de la novela sentimental y caballeresca. — Madrid, 1973.

Gilman S. The Spain of Fernando de Rojas: The intellectual and social landscape of «La Celestina». — Princeton, 1972.

Hermenegildo A. Renacimiento, teatro y sociedad: Vida y obra de Lucas Fernández. — Madrid, 1975.

Jones J. R. Antonio de Guevara. — New York, 1975.

Lapesa R. La trayectoria poética de Garcilaso. — 2-a ed., corr. — Madrid, 1968.

Libros de caballerías hispánicos: Castilla, Cataluña y Portugal / Estudio, antología y argumentos de J. Amezcua. — Madrid, 1973.

Понравилась статья? Добавь ее в закладку (CTRL+D) и не забудь поделиться с друзьями:  

Сейчас читают про: